Monday, 31 January 2011
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question marks on cards next to artefacts?
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symbols/deciphering - related to resistance to historical investigation
- paired with the symbol of the unsure/unknown >>> ???
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The Harpoon sounding machine is a brass depth log that works by counting the revolutions of a rotor as the log is lowered to the seabed. There are two dials, one reading from 0 to 30 fathoms, the other from 0 to 150 fathoms. The rotor is free to rotate as the log is lowered, but when the line is drawn up again a locking piece drops down and holds it in place. The log has a piece of rope attached to it and is held in its original wooden box, which has a set of printed instructions inside the lid.
Also found to be useful in performance of the "octupus loosening" (translation from Tongon), a song performed underwater in a circle of 8 to lure the aquatic delicacy towards it's human enemy. (Taken from diaries of '41)
octopus: a local delicacy. to lure, underwater (in a circle of 8) or, alternatively, a jews harp may be substituted
(n.b. note "the uncommon smallness and delicacy of their singers"- elusion to cannibalism, perhaps)

| Birth: | unknown |
| Death: | unknown |
Inscription: Child of Mrs. Maggie Humphries | |
| Burial: Friendship Cemetery Columbus Lowndes County Mississippi, USA Plot: Lot 96 | |
Saturday, 29 January 2011
Thursday, 27 January 2011
Wednesday, 26 January 2011
Tuesday, 25 January 2011
fig. 1,,, For reference: Marcel Broodthaers
A Voyage on the North Seahttp://www.youtube.com/watch?v=dQPKG1efWGg
'The ostensibly related subject of both book and film consists mutually of 19th and 20th century nautical images including: 1. photographic reproductions and details of an amateur’s 19th century painting of a fleet of fishing ships and 2. photographs of a contemporary sailboat. Bringing together film, books, ephemera, drawing, and the artist’s original maquette for the book, this specific exhibition sets out to map the local coordinates of A Voyage on the North Sea’s maiden launch on January 28, 1974 at the London offices of Petersburg Press.'
'Both book and film components of A Voyage on the North Sea deliver a befuddling, progress-defying narrative, pairing images of an amateur’s 19th century painting of fishing vessels with photographs of a 20th century sailboat. The film is structured like a book with 15 paginated titles interspersed between static images of the boats while the layout of the book, on the other hand, is structured like the comparative grid of the art historian’s slide show. Broodthaers’ complex dialogue between painting, photograph, book and film plays hide-and-seek with the original, exploring a frustrating journey through the conditions of art in the age of mechanical reproduction.'
See also: Departement Des Aigles






